![]() ![]() ![]() You could also arpeggiate that F Triad up the piano in your right hand which can be a nice effect. G C /b Rambling out of the wild west D Leaving the towns I love the best G C Thought Id seen some. I like to hang there for a little while – really let that b9 hang there □ – and then drop into the tune. I like the following voicings for the chromatic sequence:īb9#11 – shell in the left hand (root and b7) and then 9 and #11 in the right hand (C and E)Ī7b9#5 – shell in left hand (root and b7) and then b9-3-#5 in the right hand (Bb, C#, and F)Īb13b9 – again shell in left (root and b7) and then an F major triad in the right hand in second inversion, gives you 3-13-b9, with the b9 (A) in the melody. 0:00 / 10:23 Autumn In New York chord progression - Jazz Backing Track Play Along The Real Book Backingtracks JAZZ 66.2K subscribers Subscribe 34K views 6 years ago Subscribe this channel: /. Then when you are ready to start the tune, play the 1 again (F Major) and then add in the chromatic sequence to target the G-7 where the tune starts. You could perhaps play this once or twice – or as many times as you like! – remember that the 1-6-2-5 is a cyclical progression always taking you back to the 1 … F Major in this case. ![]() The first option is just a standard 1-6-2-5 progression in F which is the key of the tune. A useful ‘trick’ to know!Īlso, you can mix both options together. It’s nice to know that you can stack chromatic dominant chords one after the other, to get to any target chord. I use this kind of thing a lot in my playing. If you believe that any review contained on our site infringes upon your copyright, please email us.Brilliant… I’m glad you like the suggestions.
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